Different types of Chinese brushes

Saturday, 12 September 2009, 2:48 | Category : Fine Art
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There are three main types of brush in Chinese traditional ink painting, soft, hard and mixed:

 

soft_brush

SOFT Brush(软毫 ruǎn háo)
These highly absorbent brushes are also referred to as “goat hair” (羊毫 yáng háo) brushes. They give a soft, saturated stroke.

 

hard_brush
HARD Brush(硬毫 yìng háo)
Resilient brushes that easily spring back to their original shape, and known as “wolf” hair brushes (狼毫 láng háo). “Wolf” is a mistranslation, as this is an abbreviation using just one character from the word for weasel (黄鼠狼 huáng shǔ láng, literally “yellow rat-wolf”). Weasel brush just doesn’t have the same ring to it, though.

Hard brushes also use rabbit fur, deer, and marten. Due to the darker colour of these brushes, they are also referred to as “purple” brushes (紫毫 zǐ háo – strictly speaking only refers to rabbit hair).

 


MIXED Brush (兼毫 jiān háo)

A mix of soft and hard brush hairs. So for example you might see “Seven purple three goat” (七紫三羊 qī zǐ sān yang), meaning seven parts rabbit and three parts goat hair. Beginners usually start off using mixed hair brushes.

 

Huzhou city (湖州 hú zhōu) in northern Zhejiang province is China’s most famous producer of brushes, known as “hu bi” (湖笔 hú bǐ).

Pumpkin phoenix

Monday, 1 January 2007, 1:00 | Category : Fine Art, Food & Drink
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Paintings of White Yi by Dai Jie

Thursday, 30 November 2006, 6:44 | Category : Fine Art
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061130DaiJieDai Jie , professor at the Art Institute of Yunnan Normal University , has been visiting the White Yi of Xundian county for more than ten years. The paintings below are nearly two metres high.

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Peacock paintings by Sun Jiandong

Friday, 11 August 2006, 11:06 | Category : Fine Art
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Sun Jiandong was born 1952 in Shanghai, his father was a Bishop and dean of the East China Theological Seminary , and a great enthusiast of Chinese calligraphy. Like his father, Sun Jiandong had a love of fine art from an early age. He began formal study in 1964, but five years later was sent from Shanghai to Xishuangbanna during the Cultural Revolution. The stunning natural scenery and exotic tropical rainforest captured his imagination, and though much of his time was taken up with physical labour, he spent the rest of his waking hours with a sketch book collecting future material. His works were first exhibited in 1971 in a provincial exhibition, and in 1977 he enrolled in Yunnan Arts University.

 

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